Everyday Book Marketing by Midge Raymond
Author:Midge Raymond
Language: eng
Format: epub
Tags: Book marketing, writer resources, writer tips, self-publishing
Publisher: Ashland Creek Press
Published: 2013-06-20T00:00:00+00:00
Poet Susan Rich
Photo credit: Rosanne Olson
Susan Rich is the author of four collections of poetry, The Cartographerâs Tongue: Poems of the World; Cures Include Travel; The Alchemistâs Kitchen; and the forthcoming Cloud Pharmacy. Her poems have been published in the Antioch Review, Alaska Quarterly Review, Poetry International, and The Southern Review, among others, and her fellowships include an Artist Trust Fellowship from Washington State and a Fulbright Fellowship in South Africa.
Tell us about how your books came into the world.
All four of my books are published by Dennis Maloney, the creative force behind White Pine Press. I am very happy to have a twelve-year relationship with my publisher. From what I know, itâs a rare thing in the poetry world.
I first contacted Dennis on behalf of South African poet Ingrid de Kok to see if he would like to publish her work in the United States. At the same time, Dennis noticed an article Iâd published in Poets & Writers about de Kokâs work. The irony is that Dennis published my work and not Ingridâs. Five years after The Cartographerâs Tongue: Poems of the World came out, I was lucky enough to meet Dennis in person. (Prior to this meeting, all of our correspondence was over e-mail.)
When I asked Dennis why he chose to publish my book, he said simply that I was the only poet who had ever contacted him on behalf of another poet, and that fact had caused him to take a serious look at my work. Iâve told this story to many young poets struggling to see their work in print. The message I hope they come away with is: Everything we do for others also supports our own writing livesâoften in ways we could never anticipate.
What are the most successful things youâve done to promote your books?
I learned this from a poet friend, and itâs very simple: âAsk for what you want.â Be clear on what makes an event or a project a positive experience for you. When one festival in Vermont invited me to read, I wrote back to say Iâd love to come but I needed accommodation for my stay. At first the organizer said that he couldnât accommodate me, but a few weeks later he came through with rooms offered to the festival by a lovely hotel. Since then I have asked museums to host events for free and hotels to give over their penthouse for a performance. There is no shame associated with asking for what you wantâand this works especially well when working with other writers.
Hereâs one example. For my book The Alchemistâs Kitchen, I decided that I wanted to set up a national tour. This goal sounded overly grandiose to my ears and to my budget (poets are not sent on tours by their publishers), but it was what I wanted: a new challenge. Over a two-week period, I visited San Diego, Boston, and Miami for events in each place. In each city I had friends to see, so I knew it would be fun no matter what else happened.
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